The Curse of Fenric

 

Four episodes

Aired between 25th October 1989 and 15th November 1989

Written by Ian Briggs

Produced by John Nathan Turner

Directed by Nicholas Mallett

Synopsis

On the Northumberland coast, in the 1940's, a series of dinghy's floats towards shore, carrying with them a bunch of Soviet Commando's, led by Captain Sorin.  A strange mist envelopes them and most of the soviets never make it to shore, leaving Sorin's boat alone.

Their target seemingly is a top secret British naval base that the Doctor and Ace just be happening to visit. The pair of them after landing in the TARDIS, stroll around the base and are strangely not detained for some time (until the commanders of the base realise they are not the Soviets whom they were expecting and laying a trap for). The Doctor and Ace are subsequently mobbed by soldiers, but the Doctor bluffs his way through them, saying he's from the Dept. of Defence and here to see Professor Jusdon about his invention. 

Flummoxed, the guards let him pass, buying him enough time to meet the wheelchair bound Professor, compliment him on the invention of the machine that cracks German cyphers and forging his own credentials to allow him and Ace to remain on the base. Judson invites them to go to the local church where he is working on an ancient cypher he hasn't been able to crack yet.

Back with the Soviets, they find a survivor from one of the dinghy's, but it looks like he's been mauled by some kind of beast.  

They flounder on the beach for the remainder of the night, looking for their sealed orders which were lost with the others, and keeping a watch for these miserable beasts.

The next day, the Doctor and Ace go to the church where they meet Rev. Wainwright, Mrs Hardaker - a local fuddy duddy, and two girls evacuated from London and under her care - Phillis and Jean. Ace quickly makes friends with the girls and agrees to meet them for a walk on the beach at Maiden's Point later. With that, they go to find Prof. Judson and his cypher. 

In conversation with Judson and Rev. Wainwright, the pair learn of an old Viking Curse that says Evil was once buried there and that Judson is attempting to use his ULTIMA machine to decipher the inscriptions. It's not long before the Doctor teases out of Wainwright that his grandfather had already deciphered the words and they spoke of a bunch of Vikings who were cursed when they were carrying an oriental treasure to Norway and all died at Maiden's Point.

Meanwhile, despite being forbidden to go to Maiden's Point by Mrs Hardaker, the girls go and meet Ace. They walk around and intend to go in the water, but Ace declines and leaves them to it. Not long after, a mysterious monster claims them, dragging them below.

The Doctor and Ace go back to the base, meet a radio operator called Kathleen who keeps her baby under her desk. The baby's name is Audrey, which is the same name as Ace's estranged mother. They explore a bit more then head back to Maiden's Point, only to be confronted by the Soviet's. 

From finding their sealed orders and the dead soldier, the Doctor is sure they're here to steal the ULTIMA machine but that something monstrous is here too. He gets Sorin to admit a frontal attack would be suicidal and he admits another of their number has been killed, found with some strange object in his hand. 

Meanwhile, Judson is still deciphering the text which speaks of a great battle and the end of the world. It seems that the base commander, Millington, is very interested in this and instructs Judson to use the ULTIMA machine to decipher the rest. 

The Doctor and Ace convince Sorin not to kill them and they return to the crypt, finding themselves confronted at gunpoint by Millington. He takes them through secret passages in the church which lead to men mining toxic substances from the rockface which will apparently be used in chemical weapons against the Nazi's to end the war.  The Doctor notes a similarity to venom from snakes in Norse mythology. Impressed, Millington takes the Doctor with him, leaving Ace behind. Ace speaks to Wainwright who knows about the plans and thus feels a loss of faith in humanity and the sacredness of the church as a result. She realises that the inscriptions on the wall are set up just like a logic diagram and goes and tells Judson this so he can correctly decipher them.

At the base, Millington shows that the toxin has been already stored in a bunch of shells and a vial of it has been booby trapped in the ULTIMA machine for the Soviets to take.

Whilst this is happening, Jean and Phyliss emerge from the water as monsters. 

They start luring Soviet soldiers to their death, kill the stuck-up Mrs Hardaker, then go for the faithless Rev. Wainwright. The Doctor and Ace find them just in time and the Doctor drives them away with a show of faith. 

The Doctor says as long as the descriptions are not deciphered, all's fine. Ace is horrified and tells him what she gave Judson. As they rush to stop the ULTIMA, the machine cranks out deciphered words and a host of monstrous vampires rise from the sea. 

The wall in the crypt smashes open, revealing a glowing urn and Millington declares that the Doctor is too late and once the chains of Fenric shatter, all the dark power will be his. He explains that the vampires are actually mutated humans from the far future called Haemovores. He's content for the Doctor and Ace to wander about because he's convinced there's nothing they can do.

Ace checks on Kathleen and the baby, making sure they're alright as they try to stop the Haemovores.  They return to the church and Ace finds the urn, putting it in her backpack without realising it's what they're looking for. Rev. Wainwright explores the records, finding that the curse of Fenric passed down through generation to generation of kids from the Vikings. The bunch of them are assaulted by Haemovores but the Doctor's faith and Sorin's wooden stakes help drive them off.  

The Doctor explains that faith creates a psychic barrier that they cannot pass, and it doesn't need to be a crucifix.

The Doctor orders them all to the base, but Sorin goes back to find his men, saying his faith in the revolution will protect him. He gives Ace his scarf and goes.

The Doctor and co get back to the base, but are ultimately captured by Millington and the urn is taken from them. 

Sorin gets his men and goes to the base. He sees that Ace and the rest are captured and tells his men to wait whilst he tries to parlay. Millington is not interested and places Sorin under arrest. 

Ace becomes fed up as the Doctor seems to know exactly what's going on and isn't telling her. He relents and explains that an ancient evil that's existed since the dawn of time is trapped in the urn. Fenric is just one name for it. Once the inscriptions are completely deciphered, the urn will break and the evil will be free to find a body. They've got to stop it before that happens. 

Together, Ace and the Doctor come up with a plan to free Sorin and they race to the ULTIMA room. As this happens, the Haemovores break through from the church and kill the Reverend. 

The urn breaks and shoots out green energy, hitting Judson, turning him into Fenric. He gloats over the Doctor and then teleports away.

Millington, upset about it all and more than slightly insane, orders the Doctor, Ace and Sorin shot for treason. They are lined up but before they can be executed, Sorin's men attack and allow them to escape. 

Meanwhile, Fenric appears to the Haemovores and orders them to summon "the ancient one". 

With things looking bad, the Doctor tells Ace they need to find a chess set. It turns out this is how the Doctor trapped Fenric in the first place, beating him at the game with the stake being trapped. They eventually find a set held by Kathleen as Millington's one in his office was rigged to explode if tampered with.

Fenric plans with Millington to use the toxin to kill all the Earth. The Haemovores return with the Ancient One and begin attacking the soldiers and women on the base. 

The Doctor goes with the set to confront Fenric whilst Ace gets Kathleen and baby Audrey out into the jeep and helps them escape. Kathleen gives Ace a picture of Audrey as thanks and goes to find the place in Perrivale where Ace directs them to.

Back in the base, Fenric orders the Ancient One to take the toxin into the ocean and release it. He also orders it to kill the other Haemovores as they've served their purpose. The creature does the latter, but the Doctor shows up before it can leave and challenges Fenric to a chess problem. Fenric is held in confusion, trying to solve the puzzle, allowing the Doctor to find and talk to The Ancient One. It is a creature from the far future, once human but now horribly mutated and evolved from a time when evolution and pollution ran to their ultimate ends and destroyed the Earth. 

He explains that what Fenric is asking is for the Ancient One to be the one that kick-starts that future by releasing the toxins.

Sorin turns up and confronts Judson / Fenric. He says that Sorin has been manipulated as he is a descendant of the Vikings - one of the Wolves of Fenric. Sorin kills Fenric, but is only possessed in turn. 

Ace turns up but thinks Sorin is human and blabs the solution to the chess problem. Fenric gloats, saying how he's manipulated everyone, especially all the descendants into being in this position at this time. Ace is one of the descendants, and it was Fenric who created the Time Storm that took her to Ice World. The baby she saved WAS her own mother and she just secured her future to help Fenric solve the problems.

Fenric orders them dead, but the Ancient One is held back by her faith in the Doctor to get them out of this. 

Fenric says he might kill them with the toxin anyway and the Doctor shows little sympathy, explaining that he knew Fenric was behind everything all along, pointing out the time storm and the chess game in Lady Peinforte's study (see Silver Nemesis). Ace breaks down at his uncaring attitude and this releases the Ancient One. Instead of killing them however, it takes Fenric and traps them in a chamber, releasing the toxin and destroying them both. 

The Doctor drags Ace out of the stores as they explode and teary eyed, he explains to Ace that he didn't mean what he said, he just had to break her faith in him. 

A short time later, Ace and the Doctor visit Maiden's Point. Ace looks at the photo of her mother, sad and angry that she cannot love her own mother. 

She dives into the water that she was once afraid of and comes back much happier after a swim, hinting that she's faced her trauma in more than one way and let it all go.

Together, they walk back to the TARDIS.

Trivia

• The subtitles used for the Russians at the start of the story are the first time different language titles have been used since The Mind of Evil in 1971

• This is an easy one, but worth noting - Ian Briggs based the character of Professor Judson and the ULTIMA machine on real life WW2 codebreaker, Alan Turing and his machine used to break the Enigma code. Alan Turing was a supressed gay man, and in the story, it looks like there's overtones of it between Judson and Millington, but it's more to do with their childhood friendship and guilt over Millington causing Judson's paralysis from an accident

• In this story, Ace mentions an old house in Perivale - it was supposed to be foreshadowing for Ghost Light, but the way the production ran, Ghost Light ended up being show prior to this story.

• Two of the Heamovore's were actually Sylvester McCoy's kids who'd made a trip to the set and were offered the chance to take part

• Supposedly in the original script, Ace was meant to hint that she'd lost her virginity and that Sabalom Glitz was the man who helped her do it. Yuk! Needless to say, it was felt inappropriate for this to be in so they cut it

• The original setting for the story was the 1970's but Andrew Cartmel thought it was too recent, so went for the war instead

• Little known fact - Christopher Eccleston and Peter Capaldi were both considered for the role of Rev. Wainwright

• Finally, for a little sauciness, Sophie Aldred's costume came complete with stockings and suspenders. As she's descending the church tower on her rope ladder, her bottoms accidentally get pulled up and she leaves little to the imagination!

The Review

The Curse of Fenric is as mesmerising as it is frustrating. Like so many of the Seventh Doctor's stories, and the latter Fourth Doctor ones, this story shows a good concept and has some of the trappings of a good horror story really tied down well - the vampires in a northern town, the presence of an ancient evil and the foreboding of a great clash of wills, but it is somehow all deflated in the execution of it.

If this was 1973, I would perhaps be applauding this stuff - the Ancient One is a lot better than Alpha Centauri in special effects terms for certain, but yet, it's still lackluster and I can't help but feel that the creature is less fleshed out and bumbling, almost childish in appearance. Put next to this season's best effort - The Destroyer, this creature just comes across as infantile and does much to destroy the horror that's been built up over the last four episodes. The rest of the Heamovore's are no better, just look at the mouths of the two that attack Ace at the church tower - where are the fangs and menacing walks?

The way the story works is confusing too, with the Doctor and Ace able to come and go back and forth from the church to the top secret military base, even when Millington has threatened them - it just destroys all immersion for me. 

So, given all of that, is it dreadful?  No. For all it's blunderings, this story has some gems worth the effort to watch, such as a surprisingly good performance by Nicholas Parsons, the performance of Judson and the angsty tension of the Doctor and Ace's relationship.  Beyond that, in parts, the show does alright in capturing a bit of a horror atmosphere - Jean and Phillis aren't the best, but they're ok, and the music goes a long way to make up for the rest of the shortfalls.  

In summary, a good story poorly executed (even the extended edition) but worth a watch once in a long while.

Rating

6 out of 10

Re-Watchability Factor

4 out of 10

Watch this if you liked...

• The Celestial Toymaker

• The Faceless Ones 

• The Sea Devils

Ghost Light

 

Three episodes

Aired between 4th October 1989 and 18th October 1989

Written by Marc Platt

Produced by John Nathan-Turner

Directed by Alan Wareing

Synopsis

The TARDIS lands in an old Victorian mansion. It gives Ace the creeps as she has "a thing" about haunted houses after she snuck in one at Perivale when she was a delinquent.  

   

They explore and find a snuff box. A Victorian gentleman turns up and confirms that "atrocities" have happened in this house and he came here looking for Redvers Fenn-Cooper. The snuff box is the first evidence he's found of him being in the mansion. He's allegedly being held captive by the owner of the house - Josiah Samuel Smith.  It soon transpires that the man is in fact Fenn-Cooper himself and he's gone insane. 

Out of nowhere, maids who seem to know him turn up and march him away.  A very strange Neanderthal butler called Nimrod instructs the Doctor and Ace to the drawing room, saying Mr Smith is expecting them.

Once in the drawing room, they meet a young lady, Gwendoline, who is staying with her uncle Josiah. They have another visitor - the Reverend Matthews, who has shown up at the house to have it out with Smith over his outlandish theories of evolution that he published in a book recently.  The Reverend mistakes the Doctor for Smith and gives him an earful before Josiah turns up. 

He instructs Gwendoline and Ace to change for dinner, whilst he converses with the gentlemen.  They don't get far before they hear Fenn-Cooper screaming from upstairs.  They all rush to find him, cowering from a bright light coming from his snuff box.  

Nimrod forces them out of the room and tells them to leave him to the house staff.

In all the commotion, the Doctor and Ace miss the fact that Josiah instructs the Reverend to be chloroformed and taken away.

As they get back to the hall, Ace discovers that the mansion is in fact Gabriel Chase, the same building she sneaked into when she was 13.  She runs off in a huff and gets into the basement where she sees a strange room with clear alien technology and green skinned monsters in dinner suits. 

A gravelly voice calls out for them to get her.  Nimrod turns up and helps her escape them.

Meanwhile, the Doctor watches curiously as Gwendoline examines her uncles collection of insects.  In the bottom drawer is a Policeman, presumably in suspended animation. 

She says he's all the way from Java, and that the Reverend will be leaving for there soon. She also says her father was sent there by her uncle after he saw what was in the cellar.  Growing concerned, the Doctor tries to find Ace but is held captive by the staff who suddenly have revolvers.

Back in the cellar, Ace gets a bit overzealous with the stick and threatens to smash an oval panel with glowing light.  Nimrod doesn't like this and proclaims that "the sleeping one must not be woken". He struggles with her and she breaks the pane, setting off alarms all over the mansion.  In the confusion, the Doctor grabs a gun and holds it to Josiah's head, forcing him to take him to the cellar.  

Seeing the danger, the Doctor stabilises the streaming smoke from the hole Ace made, and recognises the green skinned monsters as past skins of Josiah Smith, left with rudimentary abilities to move and act.  Smith grabs the gun and orders the Doctor to repair the ship, but he unleashes the steam and gets Smith in the blast.  Together, Ace and the Doctor flee, bringing with them Nimrod and the incapacitated Josiah Smith as a retched creature is released from a cell in the ship.   

Once out of the cellar, Smith is taken by the maids to the upstairs. The Doctor says they won't see him until nightfall.  With that, they retire to rest.

During the day, the injured form of Josiah Smith starts to evolve, peeling and removing his husked skin.  

The Reverend Matthews wakes up, and starts lambasting Smith once more, but is soon put in a perilous position as he begins inexplicably devolving into a monkey.  

Gwendoline turns up and using chloroform, sends the Reverend to "Java".

Ace is woken at dusk by a human maid and given breakfast.  

When she arrives downstairs, she sees that the Doctor has awoken the Inspector McKenzie from the drawer who apparently came here three years ago to inspect the disappearance of George Pritchard, Gwendline's father.

The Doctor suggests some theories as to what's going on. He reckons that there are two creatures in the basement, the one in the cell and the one in the glass. He thinks the one in the glass is the master that Smith has kept subdued, asleep because he fears it.  Redvers Fenn-Cooper saw it and lost his mind, and Nimrod worships it.

They go to the attic to speed things along.  The Doctor winds the clock forwards to midnight and the occupants of the house come to life.  They subdue Ace, the Doctor and the Inspector and a newly evolved Josiah Smith shows himself, bringing them all back downstairs.  

He doesn't count on the fact that the Doctor has made a deal with the creature called "control" from the cell though. It has released the master from it's sleep and it indicates that it has brought it up from the cellar.  Smith tries to stop the creature called "light", but is blown back by an electrical charge.  With a blaze of light, the creature emerges.

The creature turns up in a glowing humanoid form that it adopts as the dominant form in this world.  

The Doctor explains to all that the creature came to earth to catalogue all life here. With him came two other creatures - Control who was a control subject, was kept in the ship to remain pure. The other was Josiah Smith, who went out to gather samples for Light. He however rebelled against Light and after their first expedition to Earth (in which he collected Nimrod as a sample), Smith ensured Light remained asleep and brought the ship back to Earth. He took over the mansion, hypnotising the Pritchards and killing the owner of the house.  Once in control, he tricked Fenn-Cooper into coming to the mansion and aimed to use him to get close to Queen Victoria, with the hopes of killing her and taking over the empire.

All this is inconsequential now though, as Light has awoken and is very displeased to find that everything has "changed" and evolved.  It cannot handle the fact and decides to make sure that life will not evolve again, setting in motion a firestorm and devising a plan to turn people into primordial soup, starting with the unfortunate Inspector McKenzie.  

As Light goes off to formulate his plan, the Doctor cures Fenn-Cooper and despite Gwendoline on the orders of Smith trying to send Ace to "Java", brings them out of their spell by revealing that her and the head housemaid are actually mother and daughter.  Light turns them to stone and goes to dinner.

After Control begins to evolve into a "Ladylike", she helps Ace free herself from Gwendoline and goes to dinner.

Everyone gathers in the dining room and Light outlays it's plan to stop evolution, but the Doctor points out that everything changes, even Light.  It changes location, changes it's mind, changes forms. It cannot handle it and dissipates into the house.  This is the sinister feeling Ace had when she visits the house in the future and she reveals that she set the building on fire and burned it to the ground.

They all make it to the ship in the cellar to stop the oncoming firestorm, but Josiah Smith has one final attempt at gaining the upper hand.  Control somehow switches place with Smith, becoming the more evolved of the two and sending him back to a simpler creature.  With the threat ended, Control, Smith, Fenn-Cooper and Nimrod all fly off in the ship, taking the threat away.

The Doctor and Ace leave, going back to the hallway. The Doctor asks Ace if she has any regrets and she says yes, she regrets not blowing the place up instead.

Trivia

• This story was originally set on Galifrey and was the Doctor's worst nightmare from his past, with links to his family. John Nathan-Turner thought it revealed far too much of his past, so they changed it to be a storyline for Ace.  The original idea was used for the novel "Lungbarrow" instead.

• The story didn't have any monsters originally beyond Light and Control, but John Nathan-Turner insisted, so they put in the husks to fulfil the demand

• This was actually the last true Doctor Who story to be filmed before the show was cancelled.  The final scene to be shot was the one where Gwendoline and Mrs Pritchard were turned to stone. 

• Many of the deleted scenes for this story were sadly lost as their tapes were wiped for reuse shortly after broadcast

The Review

Other guides accompanying this story have indicated that it is somewhat "marmite", that you will love or hate this story. I find personally that in fact there is a middle ground to be had.  The main clue to this, beyond personal experience, is in watching the making of. This story is rich in background and concept.  It accomplishes a lot in three episodes and has no time to dally about, therefore beyond a little explanation, it leaves people with little option to keep up unless they watch it on re-run which in 1989 was indeed possible. Because of this, many of the cast said that they knew it was pretty good, even though they couldn't fathom what the hell was going on.  That is where I found myself for much of this in the years from being a teenager until now.

Watching Ghost Light as an adult, I have found that I understand the plot a lot more and I appreciate how hard the story works.  It cooks up a very good sinister atmosphere, from the music, to the darkened lighting and aged scenery.  The sense of foreboding and the sinister implication of being sent to "Java".  It also handles mutlitple plot threads from Josiah's plans, the background of Gwnedoline, the evolution of Control and the nature of Light.  All of this is very well done and when put in contrast to the Doctor Who Series 2 episode with Queen Victoria and the Werewolf, you can see just how much future stories will talk down to people.  

The downside of this story is that because there is so much going on, it has glaring cuts from scene to scene that left me feeling a little frustrated. It's almost like vignettes of action where the logic just disappears between times.  For example, you know Josiah is up to no good, yet let him retire to bed, and hang about in his house until nightfall, even letting Ace sleep there!  Nobody seems to say "hang about, you're a Neanderthal" until way into episode 1.  It's all quite infuriating, plus Light just disappearing because he can't handle things is a bit of an anti-climax.

So, I do refute the Marmite argument.  I like this story, there's a lot to like, but it is equally non-sequitur and confusing which does detract from the enjoyment quite a bit in my opinion.  Still. One of the better efforts for the Seventh Doctor.

Rating

6 out of 10

Re-Watchability Factor

4 out of 10

Watch this if you liked...

• The Talons of Weng Chiang

• Lungbarrow

• The Unquiet Dead (Doctor Who Series 1)

• Tooth and Claw (Doctor Who Series 2)

Eighth Doctor Episodes

 

Summary

The TV Movie

Bonus *

Night of the Doctor

Battlefield

 

Four episodes

Aired between 6th September 1989 and 27th September 1989

Written by Ben Aaronovitch

Produced by John Nathan-Turner

Directed by Michael Kerrigan

Synopsis

Earth, the near future. UNIT are on military manoeuvres with a nuclear missile convoy in the sleepy English area of Carbury.  Their new commander, Brigadier Winnifred Bambera is unimpressed when the missile truck breaks down near lake Vortigen. She is even more perplexed when sounds of overhead missiles begin to sound. Little does she know that these missiles are carrying armoured knights!

In the TARDIS, the Doctor is listening to a strange transmission that he believes is coming from somewhere sideways in time (another dimension).  

He tracks the signal back to Earth and get a lift from local Archaeologist, Peter Warmsley.  He takes them to the lake and they soon finds that the signal's coming from around the area where the missile convoy is.  Using old pass cards for himself and Liz Shaw's to get Ace past security, they make it into the area.  They come face to face with Bambera who is unimpressed by their presence.  She kicks them out but is soon warned by her subordinate that the Doctor was part of unit once and when he's around things go wrong, fast! Wanting to know more, Bambera takes the Doctor and Ace to the Gore Crow Hotel but gets little from them.  

Inside the hotel, they meet the landlord and his blind wife. Ace meets a new friend called Shou Yuing, and the Doctor finds a mystical scabbard which apparently Peter Warmsley found as part of his local dig near the lake.  The Doctor suspects is far older than is dated.

Ace and Shou go outside to discuss explosives and hear sounds of fighting and a big explosion.  It turns out they were made by the futuristic knights who had been roaming around the neighbourhood doing battle with each other. 

The "goodie" knight was blown through the brewery roof by a futuristic hand grenade.  The Doctor, Ace and Shou get to the knight and remove his helmet.  

The knight seems to know the Doctor and refers to him as Merlin. Bambera turns up armed and tries to arrest them all, but they are interrupted by a gang of "baddie" knights, led by Mordred. He orders them all killed, but the Doctor plays to his role as Merlin and scares them away, but not before Mordred warns that his mother, Morgaine is coming to settle the score with Merlin.  Once alone, the gang retreat back to the hotel (Bambera and the knight, Ancelyn fighting for dominance on the way). 

Meanwhile, Brigadier Alistair Gordon Lethbridge Stewart himself is called out of retirement once word of the Doctor's return is passed on.  He goes to London via helicopter for a briefing and then on through the night to Carbury. 

Mordred sets up his lair in an abandoned castle in the area and summons forwards his mother, using some arcane ritual.  The force affects the scabbard in the hotel and causes it to fly off the wall and pierce some wood, presumably pointing towards the lake.  The surge of power knocks out the lights and plunges the hotel into darkness as Morgaine arrives in this world.  

The day after, Morgaine and Mordred gather in an old church to discuss their plans. They see the Brigadier's helicopter coming in and Morgaine shoots it down.  She soon realises however that they have respect for their dead and is displeased with Mordred for allowing her to fight on holy ground. She dismisses him. 

Thankfully, the Brigadier and his pilot survive. 

They separate and try to get help.  The Brigadier comes across Morgaine and her troops, but she calls a truce so she can hold a remembrance ceremony  for the dead.  

The Brigadier honourably takes part and then goes on his way. Morgaine says if she meets him again, she'll kill him.

The Doctor meanwhile is curious about the dig and the scabbard, so he gets Peter to take him to it.  There, they find a strange inscription in the Doctor's handwriting saying "Dig hole here".  They use Ace's nitro-9 to blow a hole in the ground and find a tunnel there. Ace and the Doctor go down it and find an alien spaceship with passwords that allow access to the Doctor's voice, and King Arthur knelt on a plinth with Excalibur, clearly dead.  

The ship's defences activate and the Doctor is attacked by them. Ace enters a cubicle and is nearly drowned but shot out of the ship at the end.

Ancelyn and Bambera get to the dig site, but they're too late. They watch in astonishment as Ace emerges from the lake, brandishing Excalibur. Shou and the Brigadier end up there too, and the Brigadier goes into the tunnel, rescuing the Doctor and reuniting with him.

Morgaine in the meantime orders her knights to find and take Excalibur. She goes to the hotel and finds Mordred drinking there, drowning his sorrows. The pilot arrives and threatens Morgaine and is disintegrated for her troubles.  Morgaine is not without compassion however. She cures the Landlord's wife as payment for Mordred's drinking session. Satisfied, they leave.

The Doctor and companions split up and go in separate cars back to the hotel. They encounter the knights on their way and Bambera and Ancelyn are separated from the others, their car being wrecked in the fight. Not being able to do anything for them, the Doctor and the rest go back to the hotel to find the residents of the area are being evacuated. Peter Warmsley and the landlord protest, but the Doctor uses a Jedi mind trick to convince them otherwise. They all go but Shou Yuing manages to slip away and hide.  

The Brigadier is happy about the UNIT preparations and shows the Doctor they have specialist weapons to deal with Daleks, Yeti's and Cybermen. They even have Bessie brought to the area. The Doctor asks if they've got any silver bullets, just in case. 

The Doctor and the Brigaider go in Bessie to the missile convoy, trying to reach it before Mordred and his troops, and the Doctor tells Ace to draw a chalk circle and stay in it at the first sign of trouble. 

Morgaine senses that Ace and Shou are alone and vulnerable and seizes her chance to get Excalibur. She summons The Destroyer - a Demon from another dimension. Hearing the after effects of this, Ace and Shou draw the circle. Morgaine tries to use head games to wrest the sword from them, but the girls withstand them, leaving Morgaine little option but to go there herself with the Destroyer and try to get the sword directly.

Mordred and his troops do indeed attack the nuclear missile convoy and there's a big battle. Bambera and Ancelyn make it to the fight and there is chaos all around. The doctor turns up, living up to his role as Merlin and decries the battle. Mordred laughs and says it's only a diversion and Morgaine is getting the sword. The Doctor speaks psychically with Morgaine who offers a trade - Ace for the sword. The Doctor threatens Mordreds life, but they scoff at it, saying that Merlin hates violence. The Brigadier however puts a gun to Mordred and Morgaine leaves him to die.

With psychic communication cut off, the Doctor, the Brigadier and Mordred get in Bessie and head back to the hotel, just in time to find it being shaken to the ground.  They find Ace and Shou in the rubble. They explain that they ended up giving up Excalibur before they were killed but did manage to find some silver bullets. The Doctor is grateful, as he can't replace Ace.

Mordred slips away in the commotion.

The group see a dimensional portal in the corner of the room. The Doctor and the Brigadier go through it to the old castle to confront Morgaine and the Destroyer. They go back and forth with arguments, and Ace following through knocks Excalibur from Morgaines hand. She warns the Doctor to give it back or she will release the Destroyer from the chains that keeps him at bay from devouring the world. He calls her bluff and she does indeed free him.

Mordred turns up and argues with his mother for abandoning him. Together they teleport away out of the path of the Destroyer. 

The Doctor, Ace and the Brigadier run away too, but the Doctor decides to go back, loading the Brigadier's revolver with the silver bullets they found. The Brigadier knocks the Doctor out however and takes the gun, telling him he's to sacrifice himself as the Doctor is too important. He goes back and after threatening the Destroyer, pumps six shots into him. The demon explodes and throws the Brigadier out of the window. Thankfully, they find him alive. Then the Doctor, the Brigadier and Ace return Excalibur to the alien spaceship, finding a note from a future Doctor that tells him Arthur died ages ago.

The Doctor then returns to the convoy to see that Morgaine and Mordred have gone there to set off the missile.  The Doctor knocks out Mordred and pleads with Morgaine, convincing her that nuclear obliteration is definitely something dishonourable. She agrees and stops the countdown.

The Doctor asks Bambera to lock Morgaine and Mordred up. 

All's well that ends well, the group retire to the Brigadier's massive country house. The girls all go on a shopping spree, leaving the Doctor, the now finally retired Brigadier, and Ancelyn behind to cut the grass and make dinner.

Trivia

• This story has a lot of "lasts in it as we close on the classic era of Doctor Who
• It is the last time we see the console room in the classic era (excluding the 8th Doctor's TV movie)
• It is the last official time we see the Brigadier in the show (although he did do an episode of Sarah Jane Adventures) 
• It is the last time we see Jean Marsh in the series too, her other credits include the First Doctor adventures - The Crusade and The Dalek's Master Plan
• It is the last official use of Bessie. We'll only see her in flashbacks now
• It is the last story Ben Aaronovitch wrote for the series too

• However, it is the first time that UNIT has been portrayed in a multi-national light and the reshaping of them in this story would be instrumental in how they would come to look when the show was re-launched in 2005.

• The Brigadier was originally meant to die during this story, but Ben Aaronovitch couldn't bring himself to kill such an iconic character, so he brought him back

• The Doctor in this season has a change of clothes, discarding his beige jacket for a dark brown one. This was intentional, to subtly show a shift from a light hearted wanderer to something more calculating and dark as we will come to see in the other stories of this season

• As most people know, the underwater spaceship scene went awry when Sophie was in the cubicle filling up with water. The person who made it misjudged the pressure and the water cracked the glass. The crew hauled her out of there, not because of fear of drowning, but because they feared her being electrocuted by the water pouring over cables as it spilled out

• Episode 1 of this story has the lowest viewer rating in all Doctor Who to date. This is somewhat unfair and skewed however, as the England World Cup Qualifier was shown on BBC 2 at the same time

The Review

Battlefield shines a light on one of the many curious areas of history that Doctor Who has always curiously shied away from.  Granted, these are Space-Knights from another dimension with crap firing guns and hand grenades, but the names are pretty much the same as in our mythology. For that reason alone, I tend to look upon the story more favourably than maybe it deserves.

Having said that, there's a lot to like in here if you're willing to put up with the little bit of awfulness that comes with it. It's the little things I find that are entertaining, such as the sense of sinister mysticism that is brought in with Morgaine and the Destroyer that summons up feelings almost as good as the devil worship in the Daemons or Image of the Fendahl. It's the poignant speech at the end of the story by the Doctor to Morgaine, and even the playful scenes with the £5 piece and the crisp packet in the hotel. These are glimpses that Doctor Who still has it when it's needed most. But scattered amongst these is also glimpses that Doctor Who is changing, perhaps for the better in some respects. UNIT for example is multi-national now and looking a little bit more like a military operation, although the purposes of them arsing around a British village with a Nuclear missile is somewhat of a puzzle. It also shows the changing of the guard with the Brigadier officially getting a retirement story.

With all this going for it, plus the best looking monster we've ever ever seen in Doctor Who (perhaps even to date), it is a wonder why it's not ranked higher in people's opinions.  To that, we have to look at the haphazard scenes that come with it - such as the irrational way the UNIT troops let everyone waltz around their nuclear missile, even giving them a lift away from it. The Bambera / Ancelyn relationship is at times both endearing and painful to watch, the acting is at times very overdone and everything to do with the spaceship is just awful.  There's also pointless aspects to it too.  The scabbard and Excalibur turn out to be of no consequence whatsoever (other than protecting Ace in a circle). The puzzling way Morgaine wants to kill and rule, and yet is distraught to find out Arthur's dead, and also, just how do they intend to keep her prisoner?

Battlefield is without question one of the better Seventh Doctor stories, and a personal favourite of mine. It is highly suggested viewing for anyone wanting to get into the Seventh Doctor era, but alas, it falls somewhat short when compared to the show overall.

Rating

7 out of 10

Re-Watchability Factor

5 out of 10

Watch this if you liked...

The Crusade

The Time Warrior

Robot of Sherwood (Doctor Who, Series 8)

The Greatest Show in the Galaxy

Four episodes

Aired between 14th December 1988 and 4th January 1989

Written by Stephen Wyatt

Produced by John Nathan-Turner

Directed by Alan Wareing 

Synopsis

As the TARDIS is flying through the universe, a junk mail drone appears in the console room and invites them to go to the Psychic Circus.  Ace hints that she doesn't want to because she doesn't like clowns, but is goaded into it. They set their course for Segonax, the planet where the circus is running.

On Segonax, a man and a woman (bellboy and flowerchild) flee from clowns chasing them in a hearse. They split up, and Flowerchild hides in an old painted bus. She searches for, and finds an old box, but is killed by a robot. One of her earrings falls in the dust. The clowns meanwhile, eventually find Bellboy and bundle him into the hearse.

The TARDIS arrives on Segonax and as they make their way to the circus, they meet an old lady who is selling food from a cart. 

They find that many "outsiders" come and go to the circus, something that really annoys the locals.  On their way, they briefly meet Nord, a motocycle ganger, 

Captain Cook (an intergalactic explorer) and a companion of his called Mags whom he treats more like a primitive species.

As they make their way to the circus, the group (minus Nord who goes off ahead without them), come to the painted bus.  Ace pockets the earring, and they soon encounter the robot bus conductor.  Captain Cook looks on nonplussed as the rest try to find a way not to be killed. 

The Doctor eventually outsmarts the robot and destroys it with its own laser shooting ticket machine.

Disgusted by Cook's apathy, they split up. Mags and Cook arrive at the circus, just in time to see Bellboy get punished by a sole family of three in the otherwise deserted big top for his escape.  They are eventually imprisoned.

Ace and the Doctor get to the circus and sit down, commenting on the almost deserted ring. The show begins and the Doctor is invited to take part in the show which he accepts, despite Ace asking him not to.  He is also duped and imprisoned with Mags, Nord, and Captain Cook.

As this is happening, Ace is chased by the Chief Clown who recognises the earring. She loses the clowns in the corridors of the circus and finds Bellboy tied up. He is taken away by the Chief clown to help repair some robots he's supposedly created.

Back in the cage, Nord is chosen (with help from Cook) to go into the ring. He fails in entertaining the family and is obliterated. Not long after this, a geeky boy on a bike (whizkid) turns up. 

He too is imprisoned, but is too obnoxious and naive to realise it. The Dcotor and Mags escape into the circus to find Ace, but Cook refuses to go.

The Doctor and Mags find some stone corridors where there is a chasm with spewing energy and a great psychic eye at the bottom. 

Before they can figure out what it is, Captain Cook and a bunch of clowns find them and capture them. Cook helped because he has no intention of going in that ring and will do whatever it takes to stay alive, including sending in the others first.

Ace meanwhile has been recaptured and locked up in a room with a load of clown robots. 

She faces her fears and defeats them, finding Bellboy in there also.  He tells her that the circus was once much different, before they came to Segonax.  He gives Ace a remote control for a large robot he built and helps her get out of the room.

Back in the circus, Whizkid has his turn in the ring, also disappoints the family and is obliterated.

The Doctor escapes again, thanks to a distraction set up by Mags, and meets Deadbeat, the Janitor.  He is dumb and speaks little, but seems to spark some kind of memory in him.  He leads the Doctor through the corridors and they find Bellboy and Ace. Bellboy recognises Deadbeat as "Kingpin" the former leader of the circus, and realises that something's happened to their memories.  He remembers too much and urges the Doctor, Ace and Kingpin away, whilst he orders the robot clowns to kill himself so he doesn't have to live with the memory.

The trio make it to the chasm with the psychic eye.  Once there, Kingpin shows them that the eye is somehow connected to a mirrored eye necklace he wears.  They realise that the medallion is incomplete, the eye shape is missing the eyeball.  The Doctor figures out that it's what Flowerchild was trying to find.  The clowns start coming after them and the Doctor instructs Kingpin and Ace to go to the bus whilst he improvises.  

The Doctor is captured again, but suggests to Mags and Captain Cook that they all go into the ring together to buy the others time. They all agree, but once in the ring, Captain Cook turns on a "moonlight" spotlight on Mags and she turns into a werewolf. 

She chases the Doctor for a bit, but ultimately kills Captain Cook before turning back.  

Out on Segonax, Ace and Kingpin reach the bus. They find the eye piece, which restores Kingpin's memory. 

The conductor robot comes back to life and attacks them again. Kingpin tells Ace to hit the self destruct on its head which she does. They start heading back to the circus.

Back in the ring, the family are getting restless and are clearly not human.  The ringmaster and fortune teller are sacrificed by the Chief Clown to appease them before he runs out to find Kingpin and Ace.

Mags leaves the circus and meets up with Ace and Kingpin and they lay a trap for the clowns.  

The Doctor confronts the family and unveils them to be the Gods of Ragnarok, alien beings that feed on entertainment. 

He nevertheless starts a bunch of tricks to entertain them.

Back in the desert, Ace, Mags and Kingpin find the big robot that Bellboy built and use the remote control to turn it against the clowns.  They kill them all and the group steal the hearse to get back to the circus. They look for the Doctor but can't find him. Kingpin fears he may be in the "dark circus" an extra dimensional space where the beings come from. It can only be accessed by the stone corridors and the psychic eye. They go there, but before they can use the medallion they fight with a resurrected Captain Cook. 

He takes the medallion and Mags shoves him into the chasm. 

The medallion materialises at the Doctor's feet. Fearing him, the gods fire energy at him but the eye protects him, their attacks set off a chain reaction that destroys the "dark circus". He gets out just in time as it all blows up and meets Ace, Kingpin and Mags in the wastes as they watch the circus get destroyed.  

Now free of the gods' influence, Kingpin says he's starting the circus up again to travel the galaxy. Mags agrees to join him, but Ace and the Doctor decline as they have other adventures to go on.

Trivia

• The story was filmed on location in a (you guessed it) quarry. Once all the outdoor shots had been completed, the crew went back to do the studio shots, only to find that a large quantity of asbestos had been found in the studio ceiling and the place was shut

• With fears of this becoming another Shada, John Nathan-Turner and co wracked their brains for a solution, eventually coming up with the idea to hire an actual big top and put it in a BBC car park and film the interiors there!

• As if you needed to guess, the character of Whizkid was the crew making fun of the geeky Anorak wearing Dr Who fans - a bit of a cheek really 

• The Great Soprendo (TV magician of the 70s and 80s) was brought in to teach Sylvester all the tricks he performed in the dark circus

• When filming the final scene of the circus being destroyed, Sylvester was given assurances that he would be safe and to casually walk out of the tent.  What nobody knew was that the demolition team had put in a lot more explosives than everyone else thought, so when it went up, it really went up!  McCoy was very professional and never flinched, but when the shot was over, feared that the clothes of his back would be on fire!

• Finally, it's interesting to note that the ringmaster is Frost from Aliens

The Review

Okay, as with a lot of the Seventh Doctor stories, this one has a good potential, but the execution leaves something to be desired.  The sinister circus is a staple of a great horror story and the fear of clowns is deep rooted in most of western society (there's a reason IT did as well as it did). Because of this, the show should be a sure fire hit.  

The story has some good moments and even though a lot of the first episode is walking through a desert meeting wacky people, it works really well, to the point where you have to wonder if Douglas Adams actually wrote it.  The characters are funny and quirky and interesting. The Chief Clown is also superbly acted and really makes you feel creeped out at times.

The story then is mainly let down by a failure to capitalise on this promising start.  It feels half-arsed. The entire bit with the eye medallion, the Gods of Ragnarok and the climax is just cobbled together with very little reasoning or thought - it was done with a "it'll do" mentality.  Now, that's likely because of the stresses of the studio being shut down, but still, the thing suffers greatly from it.

One saving grace is that for those who look at the bigger picture as you do when you watch the show in order, this is a key story in which the Seventh Doctor is manipulating and working on things.  The very fact that the junk mail robot appears inside the TARDIS and isn't blocked by the inter-dimensional force field means that he wanted it to come.  He manipulates Ace into agreeing to go, even though he knows she hates clowns, and seems to be aware of the Gods.  We will be seeing far more of this manipulation in the coming season.

Overall, The Greatest Show in the Galaxy is not, it's merely The Okay Show in the Galaxy, but it's worth watching, even if for the missed potential.

Rating 

5 out of 10

Re-Watchability Factor

5 out of 10

Watch this if you liked...

• The Celestial Toymaker

• Pyramids of Mars

• Enlightenment