Saturday, 25 March 2017

The Hand of Fear



Four episodes
Aired between 2nd October 1976 and 23rd October 1976

Written by Bob Baker and Dave Martin
Produced by Phillip Hinchcliffe
Directed by Lennie Mayne

Synopsis

Space....150 million years ago....inhabitants of a planet called Kastria carry out the punishment sentenced to a being known as Eldrad.  The original sentence was for Eldrad to be imprisoned and obliterated with no chance of a single particle of him remaining, but Kastria is unstable, thanks to Eldrad's destruction of the planetary shields.


The court responsible for Eldrad's punishment order that his capsule is shot into space and destroyed as soon as possible, even though there is an apparent risk of Eldrad somehow regenerating.  The executioner responsible for the capsule obeys and Eldrad's prison is destroyed, and him along with it.

Present day...

The TARDIS lands in a quarry.  Sarah Jane is unsure whether it's an alien planet or not, especially as lots of klaxons seem to be going off around them.


As she debates the fact with the Doctor, they see a humanoid man on top of a ridge, waving at them.  They wave back and smile, but soon discover that he's actually warning them.  They are on Earth and they're stood in the blast area as the quarry cliff is about to get detonated.  The explosion goes off and they are buried.


The man finds the Doctor easily enough and discovers he's alright except for a couple of bruises, but Sarah Jane is unconscious under a pile of rubble.



When they bring her out, they see she's holding some kind of strange stone hand.


The Doctor gets the workmen in the quarry to call for an ambulance and they rush Sarah to hospital.

After the Doctor confirms that Sarah will be alright, he goes to see the Pathologist, Dr Carter, and asks him to perform an analysis of the fossilised hand.


Judging by the rocks it was sealed in, the Doctor reckons it must be 150 million years old.  Dr Carter cannot believe the theory, but when he examines a sample under an electron microscope, they see something similar to a DNA double helix. In addition to this, the radiation of the microscope makes the sample grow ever so slightly.


Putting these things together, the Doctor theorises that the hand may still be alive.  The Doctor decides to go back to the quarry to check out if there's anything else left there.

Sarah meanwhile awakens whilst her room is empty.  She opens her hand and reveals that she was holding a strange ring that was originally on the fossilised hand.  She is acting very strange, hearing a voice in her head calling "Eldrad must live".  She repeats the command and rises from her bed.


She sneaks into Dr Carter's room and grabs the hand, stunning Carter with a bright glow from the ring.


With the hand in her possession, Sarah goes to the nearest nuclear power station, Nunton and waltzes in, stunning everyone who gets in her way.


Finding nothing new, the Doctor returns to the hospital to discover that Sarah is gone with the hand.  He quickly deduces that the hand is looking for radiation and he and Dr Carter head off to the Nunton Complex to stop Sarah.

Sarah finally gets to the reactor room and places the hand near the doors.  Slowly, it begins to move...


The Doctor and Dr Carter get to the complex and make their way to the control room as the klaxons are going off. They meet Professor Watson, the man in charge, who is going ballistic at the fact that Sarah just waltzed in, and doesn't have much time for the Doctor's enigmatic ways.  He's about to throw the Doctor out of the complex until he explains that Sarah is with him and he might be able to talk her out of the room.


The Doctor talks to Sarah over the intercom to ask her what she's doing, but she only says that "Eldrad must live".  Her insistence on this sparks similar thoughts in Dr Carter who has been affected by the strange ring.

The Doctor comes up with a plan to go to Sarah via a cooling duct.  He rushes off but Dr Carter goes after him, getting in his way as they climb the steps of the complex.  Carter yells "Eldrad must live!" and attacks the Doctor with a wrench that he finds in the area.  The Doctor ducks and Carter goes over the railings, unfortunately falling to his death.

Wasting no time, the Doctor goes through the vents and gets to the reactor area where he finds Sarah.  He manages to convince her to give him the hand, which he puts back in a box and breaks through her hypnosis.

Professor Watson is worried about the amount of radiation they've both taken, but the Doctor assures him that the area is as clean as a whistle.  The hand has been absorbing every bit of it.

The Doctor takes Sarah and the hand out of the reactor room, failing to realise that the ring Sarah had has been dropped on the floor.

Now the area's safe, cleanup teams are sent in, and a technician called Driscoll finds the ring and the subliminal voices begin to control him.

Back on the upper levels, the hand is placed in a lead lined cupboard and the Doctor examines Sarah. She isn't very useful however as she can't remember much past the quarry.  The Doctor, Sarah and Professor Watson go back to the control room to try and figure things out and of course, switch off the emergency alarms.


Driscoll, now under mental control, takes the hand from the cupboard and takes it back down to the reactor core.  The alarm is raised again, but Driscoll uses the ring against any of the armed guards who go to stop him.


The Doctor works out that the ring is missing and as the alarm sounds, he and Sarah go aftet Driscoll.  They're too late however, the man manages to actually open up the reactor core and walk inside.  The Doctor dives on Sarah and they take cover to guard against the oncoming explosion.

They wait and a moment passes with nothing bad occurring.  it turns out that the hand has absorbed all the energy.  The Doctor closes the reactor door, suggesting that whomever the hand once was, they have the power to regenerate themselves.  He reckons that "Eldrad" must be rebuilding inside the core.

Taking no chances, Professor Watson evacuates the whole complex and calls in a RAF nuclear air strike.  They all drive just a short distance away and watch as the missiles streak towards the complex.  Again, no explosions occur.

Seeing as violence hasn't solved the problem, the Doctor insists on going back in and trying to talk to this Eldrad once they emerge form the chamber.  Sarah Jane is told to wait behind, but has no intention of doing so and stubbornly convinces the Doctor to let her come along.


They get to the reactor core and open the door.  Out comes Eldrad, a diamond encrusted female.  She says that she has taken this form based on Sarah's appearance so that she is more appropriate to negotiate.


The Doctor asks how she came here.  She tells them that she was a great scientist that invented spatial barriers for her home planet, Kastria.  The barriers helped keep out powerful solar winds and helped her race survive, but an interstellar war broke out and in spite, the barriers were destroyed, forcing her people to retreat back under the surface of Kastria.  She was disgraced, condemned and obliterated.


Eldrad negotiates with the Doctor for him to take her back to Kastria so she can help her people, in return for not destroying Earth.  Eldrad agrees but knowing that the Doctor is a Time Lord, she demands he takes her back to the point when she was destroyed.  The Doctor refuses, saying that he's happy to return her to Kastria, but it must be in the present day, not 150 million years ago.


Together, they leave for the quarry.  As a gesture of faith, Eldrad only stuns Professor Watson who attacks her with a pistol on the way out. They get to the TARDIS and leave.

Once on board, Sarah Jane questions the sanity of this mission, but the Doctor gives Eldrad his word to help.


The TARDIS lands on Kastria, and they discover it a very barren world, full of old ruins.


Eldrad uses her ring and some of the instruments come to life.  She directs the Doctor and Sarah to come with her into the thermal caves below and opens the door.  Unfortunately, it was booby trapped and a large poison tipped spear pierces her chest.


As Eldrad lays dying, she explains that it was one of her own traps that she'd devised.  She reckons the remnants of the Kastrian's had set these traps up to use against her.  She explains that there's a regeneration chamber deep below ground and she could lead them to it if they would help carry her there.  The Doctor and Sarah cautiously agree.


Along the way, they come across more booby traps, but because they're designed to affect silicon based lifeforms (like the Kastrians), they have no effect on Sarah as she triggers them.  They cross a bottomless chasm over a rickety diamond bridge and continue on.

The group eventually get to the regeneration chamber, where they see a big stone slab.  They lay Eldrad on it.


As they are looking for the right switches to press, another slab falls down and crushes Eldrad to dust, leaving behind her ring.  Both Sarah and the Doctor believe that the chamber was rigged to kill Eldrad too, but they are proven wrong when the true form of Eldrad, a hulking diamond encrusted male emerges from the regeneration chamber.


As the Doctor and Sarah discuss Eldrad's new form, the arrogant alien eventually lets slip that he was the one who destroyed the solar barriers as part of an argument with King Rokon.  In punishment, he was destroyed, but now he's returned to wreak revenge and take the throne of Kastria.

Looking around them, the Doctor points out that everyone's dead, so he's nobody to rule over, but Eldrad boasts that their memories are stored in a bank and each member of society can be revived as he had been.


As Eldrad enters said memory bank however, he finds it completely empty.

A pre-recorded message comes on a nearby computer screen from King Rokon,


Rokon says that due to the destruction of the solar barriers, the Kastrians had to retreat underground again, and couldn't live with the prospect of that existence, nor of the possibility of Eldrad ruling over them, seeing as he was the one who condemned them.   As a race, the Kastrians decided to wipe the memory banks and let their people die.  Rokon set the traps and waited until he ultimately died.  The video image of Rokon mocks Eldrad that he is now King.  King of nothing.

Eldrad is furious, and in desperation, declares that he will rule over the humans instead.  He orders the Doctor to return him to Earth.  The Doctor refuses, saying that their bargain is complete.

They are forced to race back to the bottomless chasm as Eldrad runs at them in a rage.  They manage to trip Eldrad up with the Doctor's scarf, sending the failed King down into the chasm with a scream.
The Doctor throws Eldrad's ring in with him and together, he and Sarah go back to the TARDIS.

The TARDIS dematerialises, and the Doctor soon thereafter realises that there's a bit of work needed on the console.  He opens it up and gets to work, periodically calling to Sarah Jane to hand him some space age tools.


Sarah sits down fed up.  She says after this encounter with Eldrad, she's fed up of being chased by bug-eyed monsters all the time, and that she misses home.  The Doctor's inability to listen to her moaning infuriates her, so she bluffs that she's going to pack her things and go home.


She storms off when he doesn't respond.

Once she's gone, the Doctor gets a telepathic message from the Time Lords, summoning him back to Gallifrey.  He ponders to himself that he'll not be allowed to bring Sarah Jane with him, so he must take her home.

Sarah comes back into the console room with some of her things but is clearly shocked and upset when the Doctor calls her bluff and indeed takes her back to Croydon.  She doesn't want to miss seeing Gallifrey, but she submits to leaving.


With a tear in her eye, Sarah Jane tells the Doctor not to forget her, but the Doctor shakes his head and says "oh Sarah, don't you forget me."

With that, the Doctor promises that they will meet again and he watches her leave the TARDIS.

Sarah Jane stands back from the TARDIS, near a neighbourhood dog that's basking in the sun.  She watches the ship dematerialise and looks around, realising that this isn't her home.


She laughs and tells the dog that she bets it isn't even South Croydon.

Whistling the happy tune of "Daddy wouldn't buy me a bow-wow", Sarah Jane Smith turns around and walks off into her new life.



Trivia

  • This story's concept is based on a B Movie called "The Beast with Five Fingers" about a severed hand that can still move
  • Elisabeth Sladen couldn't whistle, so the tune at the end was whistled by Director Lennie Mayne and dubbed over her pretending.
  • Lennie Mayne tragically died around a year after Directing this story. He was knocked overboard on his yacht by the boom of a sail and never resurfaced.
  • The quarry explosion was a real one, rigged up for the show.

  • Elisabeth Sladen was orginially meant to be killed off in a script submitted by long time Director, Douglas Camfield, but it ended up not coming off.  Elisabeth was happy.  She requested a good ending, not to be married off or killed off and not to be the focus of the story (that was the Doctor's job, she felt).
  • Robert Holmes took responsibility for writing the final scene, but Tom Baker and Elisabeth Sladen didn't like the dialogue so they wrote it themselves.

What worked


  • The quarry explosion looked pretty great
  • The concept of the creeping hand is pretty scary and made for an interesting beginning
  • The ending was probably one of the most memorable companion departures to date
  • Professor Watson was a good character 


What didn't work


  • The Andy Pandy suit (which coincidentally was a high street bought item!  They only sewed the three stars on it.)
  • The physical effects of the Kastrian's, especially their planet
  • The over the top acting by just about every character in the show (except the main ones)
  • The stupid decision to drop nuclear missiles on a nuclear power plant
  • The even stupider decision to hide a few hundred feet away and expect to live


Overall Feelings

After Katy Manning's departure in The Green Death, this one had a lot to live up to.  I guess, just like the Green Death, the ending was much better than the story we had to sit through to get to it.

As it happens, I love the first episode.  As it's based heavily on a horror movie, the setup pretty much follows that formula, with Sarah Jane finding the hand, and mind control.  Her acting is superb as is Tom's, and we get a real sense of uneasiness because this is clearly not the Sarah Jane Smith we're used to.  All of that goes away fairly quickly however when we run the gamut of UNIT Story, then cheesy alien planet.  If I'm honest, it felt like Bob Baker and Dave Martin had a half-formed idea, and rushed through the rest of it from episode 2 onwards.  To compound that problem, they're also still writing in the mindset of the John Pertwee era, and so, knick a lot of the set dressing from their earlier story, Claws of Axos.  If this was 1973, it wouldn't be a problem, but this is 1976, and a brand new era of Doctor Who that makes it all their tropes stand out like a sore thumb.

Overall, I think this is a great opportunity missed, and was a bit of a snore fest for me once the Sarah Jane mind control was done with.  Better to find the scenes on You Tube and give this one a miss in my humble opinion.

Rating

4 out of 10

Rewatchability Factor

4 out of 10

Watch this if you liked...




Consulting the Matrix

What was your favourite companion exit?

Saturday, 18 March 2017

The Masque of Mandragora




Four episodes
Aired between 4th September 1976 and 25th September 1976

Written by Louis Marks
Produced by Phillip Hinchcliffe
Directed by Rodney Bennett

Synopsis

Searching the TARDIS, Sarah Jane and the Doctor stumble upon the secondary control room, a wooden room but with similar roundels to the standard control room.


The Doctor completely forgot it was there, but says he can turn it into the main console room if he wants (and does so).


He activates the view screen to get a look at where they are and sees a swirling blob of energy known as the Mandragora helix existing within the Time-Space vortex.  The helix is somehow pulling them in.  The Doctor is forced to pilot the TARDIS through the turbulence and they end up materialising in the centre of the helix.

The Doctor and Sarah go outside to see what's happened and find that they are in a strange landscape.


 They are soon forced to duck behind the bulk of the TARDIS as a great red sparking ball of energy flies towards them.  They don't see that the energy enters the TARDIS itself.  The Doctor decides that it's too dangerous outside and they rush back into the ship, dematerialising once more.  When he tries to fly off, he finds that the TARDIS is being dragged along a particular path.

The TARDIS eventually lands in 15th Century Italy, in a town called San Martino.  Everything looks alright, so the Doctor and Sarah Jane go off exploring, again, failing to notice the ball of sparking Mandragora energy leaving the TARDIS.

Elsewhere in San Martino, the Count of the region (Federico) is out with his brigands, harassing and killing peasants that have shown the slightest inclination of an uprising.


At his palace, the Count's brother has recently died, and Giuliano, the Count's nephew and Prince of San Martino, suspects that Hieronymous, the palace astronomer has had a hand in his fathers death.  Giuliano and his friend, Marco believe in the noble craft of science and think that Hieronymous is nothing but a fake and more, he is in league with Count Federico to usurp the throne and killed the Count's brother via poison.  He can't prove any of it though.

As Count Federico returns from quelling the uprising, he speaks to Hieronymous and indeed reveals that they are in league.


Hieronymous tries to tell Federico that his predictions seem to be getting stronger, but Federico doesn't believe a word of it.  He orders Hieronymous to make a further public prediction that Giuliano is going to die.

It's not long into their exploring when Sarah Jane gets captured by strange men in hooded robes.  The Doctor confronts the men and sorts out a few of them before he is also inevitably knocked out.


When he comes to, the men and Sarah are gone.  He goes looking for them and witnesses the Mandragora energy move out of the forest and kill a peasant by touching them, turning them to blue mush.


Shortly after, he is confronted by the Count's men and leads them on a merry chase after scaring the horses with a football rattle.


Eventually, he's cornered and taken to the Count.

Elsewhere, Sarah Jane comes to to find herself in some ancient catacombs.  The hooded figures turn out to be cultists to Demnos, the Roman god of moonlight.  Their priest is kind enough to explain to Sarah that she will be sacrificed at the rise of the moon.


The Doctor is taken to Count Federico and tries the direct explanation as to him being from the stars, and that there's a piece of the Mandragora helix hovering around, killing people.  Hieronymous challenges the Doctor and the Doctor berates his superstition Unsurprisingly, the Count refuses to believe the Doctor's story and orders him executed.   He's taken to the courtyard and made to kneel so the executioner can cut off his head with the swing of a very long sword.


The Doctor manages to escape by unfurling his scarf (which the executioner stands on).  With a quick pull, the executioner trips and the Doctor can run off.  He finds his way into the catacombs and the Count's men refuse to go in there after him, fearing what's down there.

As he wanders in the passages, the Doctor sees a purple robed figure wearing a golden mask coming, and manages to hide from him.  He follows the Priest of Demnos and eventually makes it to the altar where they're about to sacrifice Sarah Jane.


The Doctor, disguised in one of the robes, whips Sarah off the altar and they race out of the chamber.  They are gone, just as the red light of the Mandragora energy bathes the altar.

Elsewhere, Giuliano examines the dead guard killed by the energy and puzzles at the blue coloured remains.  Others speculate that it was some kind of fire demon but the Prince doesn't believe it.

Back in the chamber, the glowing red light turns into a pillar of red, centred on the altar.  It speaks, calling the Priest of Demnos forward and promising him unlimited power if he carries out its will on Earth.The Priest agrees and is gifted but a sample of those powers.


The red light fades and the Priest removes his mask, revealing himself to be Hieronymous.

The Doctor and Sarah find a passage from the catacombs to the palace but are eventually arrested by guards.  Instead of taking them to the Count, they are instead brought to Giuliano, who shows them the dead body and asks for their opinion.


The Doctor quickly identifies it as a hallmark of the Mandragora energy.  Giuliano comments woefully that if the Count (his uncle) is allowed to rule San Martino, all scholarly learning will be suppressed.

Count Federico meanwhile has learned that Giuliano has invited men of learning from all over the area to come and celebrate his ascension to the Dukedom.  Federico goes to see a recently returned Hieronymous and demands that the astrologer cooks up another prophecy and poisons Giuliano before the next night, just as he did with Giuliano's father.  Hieronymous is resistant thanks to his newfound power, but decides not to reveal his hand too soon so he complies.


Thinking things through, the Doctor hypothesises that the Mandragora energy somehow took the TARDIS to San Martino, knowing that the Cult of Demnos were a ready made power base for it.  The Doctor declares that the temple of Demnos must be destroyed.  Together, he, Sarah and Giuliano make the trip back to the catacombs but the Doctor insists he must enter the chamber alone.  As he does so, he's psychically attacked by the Mandragora energy.


The guards spot Giuliano near the catacombs and Rossini, Federico's guard captain, informs the Count.


Spying an opportunity to be rid of Giuliano now, Federico orders his men to go and attack the Prince and kill him under the pretense of him being a "Pagan".

As Giuliano is cornered by the guards, Sarah runs into the catacomb tunnels yelling for the Doctor.  she is captured by the cultists.

In the temple, the Doctor manages to break the psychic attack but cannot enter further.  He decides to go back and soon finds Giuliano fighting for his life.  He grabs a sword and helps, fighting off the guards.


Giuliano is wounded, but the guards break when more cultists come out of the catacombs to help.  The Doctor and Giuliano slip away in the midst of the fight.

It turns out that Hieronymous ordered the cultists to help Giuliano because he thinks the Prince still has value. He decides not to sacrifice Sarah Jane to Demnos but instead he drugs and hypnotises her to assassinate the Doctor with a poison needle.


Back at the palace, Federico is getting very angry.  Giuliano's guests have begun to arrive and the men have failed to kill the Prince. He tries to force Hieronymous again, but the astrologer is again very resistant to the Count, warning Federico that his own life maybe in danger.  The Count scoffs at this, decrying Hieronymous as a fraud but decides to banish him from the city anyway, just to be on the safe side.

After patching up Giuliano, the Doctor and him go into the catacombs and find Sarah conveniently passed out in a corridor. The Doctor follows the catacomb passages back to the palace and goes to confront Hieronymous whom he's worked out is the purple robed Priest.  Even though he told Sarah to stay put, she follows him quietly, trying to obey her hypnotic suggestion to kill the Doctor.

They all come together in Hieronymous' room.  The astrologer confesses to being the Priest, and refuses to stop.  Sarah sneaks up behind the Doctor with the poison needle but the Doctor manages to snap her out of it at the last second as the Count's guards turn up to evict Hieronymous.


The guards capture the Doctor, Giuliano and Sarah Jane but fail to get the astrologer.

The prisoners are taken to the dungeons, and discover that Giuliano's friend, Marco, is also a prisoner.  They are confronted by Count Federico.


The Count accuses them of being worshipers of Demnos.  To add evidence to this, Rossini bursts in and announces that cultists have taken to the streets in droves and are heading to the catacombs. The Doctor tries once more to talk some sense into Federico and get him to see that Hieronymous is the real threat.  Although not totally convinced, he does agree to take the Doctor into the catacombs with himself and a unit of guards.  He says if he's not back soon, to kill Giuliano.

In the temple itself, Hieronymous gathers his cultists and the red light appears again.  In turn, he administers power to the cultists, granted to them by Mandragora.


Once inside the temple, Federico breaks his cover and yells at Hieronymous.  He rips off the Priest's golden mask but instead sees only a glowing red ball of light.


The Priest "zaps" Federico with lightning, killing him and two of his guards.


The Doctor, once again maintaining his cover in robes, goes unnoticed.  The Priest of Mandragora announces that that their god will swallow the moon on the next night and then the cultists may strike.

The Doctor sneaks away back to the dungeons just as Rossini is about to kill Giuliano, Marco and Sarah.


The Doctor announces that Federico is dead at the hands of the cultists and the guards (except Rossini) change allegiance to the Prince.


Although his treacherous Uncle is dealt with, the Doctor warns Giuliano that the cultists are still the big threat.  He warns the Prince to fortify the palace in case the cult attacks.

Given everything that's gone off, Giuliano wants to cancel the proposed masque ball to celebrate his ascension, but Marco says to do so would be a sign of weakness.  Unsure, Giuliano consults the Doctor who's gone off to make some astrological equations and is cooking up a plan.  Rather than being angry at the trivial interruption, the Doctor insists that Giuliano hold the masque (maybe to keep him out of the way).  As part of his great plan, the Doctor asks for a breast plate and a length of wire, proposing that he knows a way to drain the Mandragora energy out of the cultists.

As the palace prepares for the masque, the Doctor goes to the altar of Demnos and wraps some of the wire around it, earthing the altar.  He is confronted by the Priest of Mandragora who says that Mandragora intends to check humanity's ruthless expansion into the universe by possessing the Earth and that as a Time Lord, the Doctor should appreciate this.


The Doctor disagrees and goads the Priest into firing lighting at him.  The breastplate somehow absorbs that energy and the Doctor continues to rial the Priest.

As the masque gets underway, it becomes obvious that it's been infiltrated by the cult who begin shooting lighting bolts into the gathering.


The Priest of Mandragora shows up and tells them to stop, instead take the prisoners down to the altar for the final sacrifice.

The cultists do as ordered.  Once in the temple, the moon goes into eclipse and the Mandragora energy comes down.  The cultists gather at the altar to receive their powers but instead the light consumes them all and fades out of existence.


The Priest of Mandragora who stood back from it all, removes his mask to reveal that he is in fact the Doctor.


Although it's terribly complicated to understand, the Doctor assures them all that the Mandragora helix is back where it belongs and the threat is over.

Some time later, the Doctor and Sarah Jane get a ride back to the TARDIS from Giuliano and Marco.

Sarah ponders if the Mandragora helix is totally destroyed.



The Doctor assures her that whilst Giuliano and the 15th Century won't have any more trouble, Earth will once again be in danger from it around the end of the 20th Century.

Trivia


  • This Golden aged story is based on Masque of the Red Death by Edgar Allen Poe


  • Robert Holmes really didn't want to do a historical story (just like he didn't want to do The Time Warrior), but Phillip Hinchcliffe insisted.  The compromise was that it had to be a "nasty" period so that it was suitably exciting.


  • Louis Marks was a teacher and wrote a thesis on the Renaissance period so he got the job.  The basis of the story came from many sources, including Machiavelli's Mandragola.  Robert Holmes said later "If I'd known there were so many co-authors, I'd have only given him half the fee"
  • They filmed in Portmerion, the same place as used for TV show The Prisoner.
  • The guy who played Guiliano also did the English voice of Sandy in Monkey.


What worked

  • The location is excellent
  • The sets and costumes were also playing to the BBC's strengths
  • The Cult of Demnos does have a bit of a sinister feel to it
  • The lighting works pretty well in this story too


What didn't work

  • Because it's a period piece, there's a tendancy to overact (Federico, I'm looking at you)
  • The Count wants to quietly kill Giuliano and usurp the throne, so what does he do?  Yell "Death to Giuliano!" 


Overall Feelings

This is another Doctor Who that looking at its individual components should be a classic.  It's got great set design and location, the period of history is unusual, the monster is handled in a mature way and manages to be quite creepy at times, especially the bit where the golden mask is tore off Hieronymous' face.  But...there's something missing here and I can't wholly put my finger on what.

Sure, the actors roll their R's a lot and over pronounce like they're in a bad play, but there's lots of examples of that in Doctor Who.  Perhaps it's that Count Federico turns into yet another Bond villain and refuses to just kill the Doctor and Giuliano when he's got the chance.  I don't know.

I suspect that the real reason this falls slightly flat is that whilst the sets look great, Doctor Who in 1976 just didn't have the budget to pull anything off convincingly.  The Cult of Demnos is supposed to be massing on the streets, yet we only see a handful of them at best.  A masque ball is going off, but there's just a small room of people.  It's the scope that lets it down.  Despite that though, there's lots to like about this story and it's far from bad.

Rating

7 out of 10

Rewatchability Factor

4 out of 10

Watch this if you liked...

  • The Vampires of Venice (Doctor Who, Series 5)

Consulting the Matrix

Would you have preferred to see the Doctor defeating Hieronymous or do you think it works better this way?